Posts Tagged ‘BookPleasures’

Unscarred
By R.M. Hamilton

Aventine Press
1023 4th Ave #204
San Diego, CA 92101
http://www.aventinepress.com/

239 pages

ISBN: 1-59330-401-3
$15.50 Paperback

Following the brutal overthrow of King Jonathan, the Land of Eir is thrust under the thumb of Maurader and the army of the Eternal Flame. Unscarred really begins when Kyle is forced by Maurader to accomplish a task that only he can undertake. Throughout the journey, young Kyle learns far more than he bargained for and is forced into manhood through torture, conflict, revelations of his heritage, his desire to become whole again, and his growing need to rescue his homeland from the megalomaniacal Maurader. R. M. Hamilton gives readers a coming of age story of magic, conflict, and triumph.This first novel is a valiant effort to pull together all of the tropes of the fantasy genre, but falls short in a number of areas. The narrative is told in the offsetting and untraditional first person present tense—a distraction that often makes the story itself inaccessible. While the core of the plot is unquestionably Hamilton’s, the ancillary characters, plotlines, and set ups are instantly recognizable for any seasoned fantasy reader as archetypal and predictable.

Navigating the world of self publishing can be difficult and fraught with issues that traditional brick and mortar publishing corrects, particularly when dealing with fantasy. Unscarred would have benefited from a good editor and copyeditor. In the more engaging portions of the story, typos and grammatical issues pull readers out of the story and onto the physical page to figure out corrections. In places the dialogue is frustratingly modern and conflicts with the setting and genre, while other places take the dialogue too far into the melodramatic excess that fantasy can easily become. In the end, Unscarred reads like a tabletop game transcribed—an excellent concept that requires more fine tuning.

Unscarred does, however, illustrate the imagination, dedication and understanding of the genre that R.M. Hamilton possesses. Based on the tone of Unscarred, I would be surprised if Hamilton doesn’t eventually find a successful following in the Young Adult section with his future works. With his first novel completed, I look forward to seeing where his writing turns from here.

Review by Dawn Papuga

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Cinco de Mayo: What is Everybody Celebrating?
by Donald W. Miles
iUniverse
2021 Pine Lake Road
Suite100
Lincoln, NE 68512
278 pages
0-595-39241-5
$ 20.95

Responsible parenting or teaching would send an inquisitive child to “look it up,” whatever “it” may be—a word, a fact, or an historical event. But what happens when there are no credible, adult focused resources to research from? Donald W. Miles found this to be the case when he went searching for a book to recount the historical events of the popular holiday, Cinco de Mayo. Children’s books about the holiday were plentiful, but none were available for adults with accurate, historical, in depth information. In this world of constant documentation, it is hard to believe that some topics have gone un-discussed, and that false information continues to be taught regarding a largely celebrated holiday. With this in mind, Miles made it his mission to compile the disparate resources his research uncovered into one document—Cinco de Mayo: What is Everyone Celebrating?

Miles’ book is a step by step historical progression through the seven-year struggle for Mexicans to reclaim their country from the grip of Napoleon III that began with the battle of Puebla in 19th century Mexico. He painstakingly sets the scene for every move the European armies made on their progress to take Mexico City and install Archduke Maximilian as Emperor of Mexico. Not only does Miles give readers an intimate view of the military rationale for every advancement from Veracruz to Puebla to Mexico City and the eventual execution of Archduke Maximilian, he incorporates the perspectives of the Mexican people and how the American Civil War effected the movement of both French and Mexican armies. Miles provides a panoramic perspective on events that have been glossed over in the past, and drives home the impact of the battle of Puebla for any individual seeking an understanding of celebration of Cinco de Mayo. Though at times Cinco de Mayo can appear to be flirting with historical fiction, Miles demonstrates his thorough research in every segment of the book, and offers a complete bibliography to support his presentation of a segment of time in Mexican history.

Cinco de Mayo is a comfortable journey through the past, and does not bludgeon readers with footnotes or with dry accounts of military staging. Instead the snapshot structure of the book allows readers to easily follow the progression of events leading to the battle, and the motivations of all parties involved. Cinco de Mayo is as much about the creation of Mexican culture as it is an historical account of a battle against occupation and imperialization led by Napoleon III. Rather than recounting the events with the stereotyped sterility of history books, Miles brings to life the major actors in the theatre of war in a highly readable, accessible rendering of events and personalities.

~Review by Dawn M. Papuga

**Review completed for BookPleasures.com**

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The Rose of York: Fall from Grace
By Sandra Worth
End Table Books
Release date: May 9, 2007
$ 16.95 ISBN: 9780975126493

“Now is the winter of our discontent
Made glorious summer by this sun of York.”
Richard III, I.1.1-2

For all the disservice done to Richard III by Shakespeare, his opening lines of Richard III could do no more to accurately divine the shift in thought that Sandra Worth’s trilogy seeks to influence about the last Plantagenet king of England. In “The Rose of York” trilogy (Love and War, Crown of Destiny and Fall from Grace), Worth joins the likes of Shakespeare, Sir Thomas More, Horace Walpole, Alison Weir, and Beth Marie Kosir in her contribution to the commentary about the most reviled king of the English monarchy. Unlike most of her colleagues from the Early Modern period, however, Worth is not writing to appease a crown; she has no sedition laws poised to censor her text; she isn’t a mouthpiece of Tudor propaganda. Instead, Worth’s historical fiction sets out to correct centuries of rumor, political attacks, and exaggerations that have molded the image of Richard III into a villainous, “bunch-backed toad.”

In The Rose of York: Fall from Grace, Richard III is deeply in love with a woman, with the law, and with his quest to embody the ideals of King Arthur. Rather than displaying the Machiavellian suspicion that Shakespeare’s villain thrives on, Worth’s Richard III is too trusting and makes decisions based on the hope that the inherent good in his courtiers will outweigh their greed and opportunism. Unfortunately, the malicious scheming and plotting of individuals like Buckingham and Lady Beaufort consistently undermine the progress and general good that Richard III’s new laws promote. Far from the traditional depiction of Richard III as a murderous opportunist, Worth’s characterization of Richard highlights the villainy and cut throat tactics of those who would become the central core of the Tudor court.

In Rose of York: Fall from Grace, Richard is a handsome, athletic man who risks his own health to comfort his dying queen. He is a man touched by beauty and tragedy. He is a man who did not covet the title of King, but bore it with a raised awareness of responsibility and desire to change the world. Many historical fictions fall off the razor’s edge and either inundate the reader with facts and dates, or dismiss historical accuracy altogether. Worth’s Fall from Grace treads that ground carefully by giving Richard a voice that is idealistic and genuine—if not a little naive. Captivating description and real, recognizable dialogue act as a vehicle for not only historical accuracy, but a heartbreaking romance. Though readers will undoubtedly know the outcome of the story before they open the cover, Worth’s skill as a storyteller heightens audience investment in the personal lives of these historical figures and makes their tragic ends more than just an historical laundry list of dates and names. The complex relationships of the medieval court of England become easily navigable through Worth’s vibrant characterizations.

Attempting to overturn history is no small task. The complexities of court interactions and allegiances have always been convoluted, and the interpretations of those interactions have most often been told by those who had the most power. Thanks to Shakespeare, Richard III’s legacy has been one of deformity, conniving, regicide, cruelty, megalomania, usurpation, and murder. When such a negative portrait has been painted (indeed, even physical portraits were altered to reflect propaganda spread by the Tudors to alter the legacy of Richard) and maintained for generations, persuading an audience to consider facts more closely can be a monumental undertaking. Luckily, Worth’s intensive research brings together historical documentation and private correspondences to piece together the facts about Richard III’s rise to power and his short reign. Most of these facts have been available to the public, but to get an audience with a set view to revisit those same facts for reconsideration is a decisive task. Not surprisingly, Worth tackles the public opinion and wrestles it into experiencing familiar facts from a new, creative point of view.

Through the parsing together of timelines, records, and documents that have survived over 500 years of threat and suppression, Worth manages to paint a picture of Richard III that stands in direct conflict with what most people are familiar. The text is far from a didactic gloss of historical dates, names and locations, but it manages to recreate the life of Richard III with such vivacity and personality that it will forever change the mental image of one of history’s most hated monarchs.

~Review by Dawn M. Papuga

**Review completed for BookPleasures.com**

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